Saturday, October 27, 2012
Friday, October 26, 2012
Red Devil
Barbara Suckfüll, (1857-unknown)
All Suckfüll’s drawings, which have an aerial perspective, depict the domestic objects that were brought to her cell. There is no three dimensional space and each flattened object is outlined with a succession of 2s, crosses or pinpricks which form chains in an attempt to establish boundaries. (Dissolving of the ego in psychosis leads to the inability to determine where the subject ends and the Other begins.) Suckfüll, it appears does not have the co-ordinates with which to understand the physical world. As there is no fixed view point she found it necessary to turn the paper as she worked. With both the object and the name placed on the paper via the gesture she attempts to stop meaning from sliding off.In an attempt to build herself a structure each word is pinned down with a full-stop. Here the nurse or ‘Red Devil’ brings in a washbasin:
And.Today.It.Is.Sunday.Too.The.First.Sunday.After.The.Assumption.Too.And.So.It.Will.Be.The.Twentyfirst.This.Is.Fine.I.Think.And.That.Is.the.Washbasin.You.See.I.Have.Drawn.That.Too.One.Time.Too.And.Then.Today.The.Redhead.Brought.Cold.Washing.Water.It.Was.Too.Cold.What.She.Brought.Today.And.The.Second.Devil.Was.On.The.Lookout.I.Heard.That.Myself.Too.
From Art and Psychosis by Miranda Argyle
All Suckfüll’s drawings, which have an aerial perspective, depict the domestic objects that were brought to her cell. There is no three dimensional space and each flattened object is outlined with a succession of 2s, crosses or pinpricks which form chains in an attempt to establish boundaries. (Dissolving of the ego in psychosis leads to the inability to determine where the subject ends and the Other begins.) Suckfüll, it appears does not have the co-ordinates with which to understand the physical world. As there is no fixed view point she found it necessary to turn the paper as she worked. With both the object and the name placed on the paper via the gesture she attempts to stop meaning from sliding off.In an attempt to build herself a structure each word is pinned down with a full-stop. Here the nurse or ‘Red Devil’ brings in a washbasin:
And.Today.It.Is.Sunday.Too.The.First.Sunday.After.The.Assumption.Too.And.So.It.Will.Be.The.Twentyfirst.This.Is.Fine.I.Think.And.That.Is.the.Washbasin.You.See.I.Have.Drawn.That.Too.One.Time.Too.And.Then.Today.The.Redhead.Brought.Cold.Washing.Water.It.Was.Too.Cold.What.She.Brought.Today.And.The.Second.Devil.Was.On.The.Lookout.I.Heard.That.Myself.Too.
From Art and Psychosis by Miranda Argyle
Labels:
barbara suckfüll,
drawings
Thursday, October 25, 2012
Written Language
© Sophie Tottie /BUS 2012. Written Language (line drawings) XV 2009, ink on paper, 216 × 113 cm. Photo: Marcus Schneider. Courtesy of Andrae Kaufmann gallery
Labels:
drawings,
sophie tottie
Wednesday, October 24, 2012
Brush II
© Sophie Tottie /BUS 2012. Brush II 2010, ink on paper, 216 × 113 cm. Photo: Marcus Schneider. Courtesy of Andrae Kaufmann gallery
Labels:
2010s,
drawings,
sophie tottie
Tuesday, October 23, 2012
Monday, October 22, 2012
Wednesday, October 17, 2012
The Museum of the Void
The Museum of the Void, Robert Smithson, 1969
Labels:
drawings,
robert smithson,
the void
Wednesday, October 10, 2012
Dark Black Lonley Space
Labels:
art,
Louise Bourgeois,
painting,
tracey emin
Tuesday, October 2, 2012
Monday, October 1, 2012
March 8 1860
Dear Sir,
I am in a Madhouse and quite forget
your name or who you are
You must excuse me
for I have nothing to communicate or tell
of and why I am shut up I dont know I have nothing to say so
of and why I am shut up I dont know I have nothing to say so
I conclude
Yours respectfully,
John Clare
(Letter to J. Hipkins)
John Clare was an English poet who was born 13 July 1793 in Helpston, Soke of Peterborough,
Northhamptonshire and died 20 May 1864 in Northampton General Lunatic Asylum.
Labels:
1860s,
john clare,
letters,
text
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