Untitled (Man and Woman)

William Eggleston

Judith Scott

Judith Scott, Leon A. Borensztein, 1999

Marriage

Marriage (Film Portrait Collage) X, John Stezaker, 2006

Portrait of Bald Man from Rear

Cellulose negative in loose files, portrait of bald man from rear, location unknown. New South Wales Police Dept. [click image to enlarge]

Portrait of William S. Burroughs, Tangiers, 1961

Portrait of William S. Burroughs, Tangiers, 1961, Allen Ginsberg

Antonietta Gonzales

Portrait of Antonietta Gonzales, Lavinia Fontana, circa 1595

The text on the paper reads in translation: ’Don Pietro, a wild man discovered in the Canary Islands, was conveyed to his most serene highness Henry the king of France, and from there came to his Excellency the Duke of Parma. From whom [came] I, Antonietta, and now I can be found nearby at the court of the Lady Isabella Pallavicina, the honorable Marchesa of Soragna.’

Caroline Blackwood by Walker Evans

Caroline Blackwood, Walker Evans, c 1957-58 (most likely in New York)

Francis Bacon by Lucian Freud 1957

Francis Bacon, Lucian Freud, 1956-57 (oil and charcoal on canvas, 35.5 x 35.5 cm)

Lucian Freud by Francis Bacon 1964

Three Studies for Portrait of Lucian Freud, Francis Bacon, 1964

Three Studies for Self-Portrait 1976

Three Studies for Self-Portrait, Francis Bacon, 1976

Francis Bacon by Jane Bown 1985

Francis Bacon, Jane Bown, 1985

Jane Bown talks about what it was like photographing the artist Francis Bacon in his London studio,
in The Guardian, October 10, 2008.

Francis Bacon by Jane Bown 1985

Francis Bacon, Jane Bown, 1985

Francis Bacon by John Deakin 1952 and 1968

Francis Bacon, John Deakin, 1952 and 1968

Cecil Beaton by Francis Bacon

Cecil Beaton in Group Portrait with Friends, about a portrait Francis Bacon painted of him in 1960; cited by Simon Ofield in his essay
Cecil Beaton: Designs on Francis Bacon (p. 33). A short while after it was finished Bacon destroyed the painting. Ofield writes:

Bacon rang Beaton and explained that he did not want him to have a painting he did not like. Beaton wrote in his diary that evening that
he was sorry the canvas was ‘destroyed and that there is no visible result from all those delightful, interesting and rare mornings’.

Francis Bacon by Cecil Beaton 1951

Francis Bacon, Cecil Beaton, 1951